CITYWIDE


Quartet With Pyramid Scheme
March 25, 2011, 10:17 pm
Filed under: Art, Exhibition, Life!, Opinion | Tags:

My brother had been living in New York City for three years already when I moved up here.  At the time, he lived in one of Bushwick’s McKibbin lofts–a setting that has etched itself into the landscape of my memory–where he and his room mates would often host noise and improvised music shows.  They’d affectionately named their apartment Baghdad.  These shows were loud–rampant audible destruction.  They’d draw dozens and dozens of people, some nights.  The guys would house and host traveling musicians, like Tom Carter of Bharalanbides, James Ferraro as one half of The Skaters, and  Justice Yeldham–the man who ate glass. Once, Tony Conrad paid a visit.

I used to bring my other freshman friends; all of us wide-eyed at what we were witnessing.  That was four years ago.  “Remember when we used to go to shows at your brother’s place?,” a friend asked me maybe a month ago, “Shit was wild.”  I got into a conversation with my brother, Reed, the other day about those quasi-historic shows at Baghdad.  I told him how every once in a while I still hear from my friends about how distinct or strong of a memory the experience formed in the complex of their City experiences.  Reed seemed elated.  “That’s more than I could have asked for,” he said (and I’m paraphrasing here), “To have exposed someone to something new that they remember forever.”

If it weren’t for my brother, I would hardly be privy to extreme computer music, to what a patch is, to Max/MSP or Supercollider.  I may never fully understand the stochastic process that determines the size of the sound waves.

After one year, Reed and his room mates moved out of Baghdad.  No more pestering Hasidic landlords, no more memories to be made that take up a disproportional amount of my conception of freshman year.  But Reed, his friends, and colleagues have continued making and hosting this music.  In an extension of their sound installation Quartet Without Pyramid Scheme, hosted at Diapason Gallery in the fall of 2009, comes Quartet With Pyramid Scheme.

As an online sound installation, Quartet With Pyramid Scheme is a testament to its era.  No longer housed in an immobile four-sided room but on tubulence.org, Quartet With Pyramid Scheme is a social experiment as much as it is a sound installation.  When I made this point to Reed, he said he had never thought of it like that.  But with my head in the thick of social networking, this was one of the first ways in which I perceived the installation.  As I understand it, the only control the curators have over the product of the installation is through the patches they write before contributors are asked to join, and those contributors ask others to join, and those others ask other others, and so on.

I’m writing this post in a service to my brother and out of a desire to extend the same sense of discovery that he once shared with me.  Check out Quartet With Pyramid Scheme via the link below.  Pass it on to your friends and colleagues.  A process I began at Baghdad, permeate in the sound and allow it to hollow out a compartment or cabinet or room in the house of your memory.  Even if you don’t return to the stream, I guarantee the room will remain to challenge your sense of perception.

QUARTET WITH PYRAMID SCHEME

Zoe Rosenberg

Advertisements

Leave a Comment so far
Leave a comment



Leave a Reply

Fill in your details below or click an icon to log in:

WordPress.com Logo

You are commenting using your WordPress.com account. Log Out / Change )

Twitter picture

You are commenting using your Twitter account. Log Out / Change )

Facebook photo

You are commenting using your Facebook account. Log Out / Change )

Google+ photo

You are commenting using your Google+ account. Log Out / Change )

Connecting to %s



%d bloggers like this: