CITYWIDE


An Interview With Mykki Blanco Who Thrives on States of Change

Underground art in the little town of New York City has a natural propensity to become mainstream art for the big old World. There are two very important reasons for this. The first lies in the intrinsic material make-up of the city. Anyone who lives and works in this city has almost immediate access to the majority of what man-kind can make or could ever make. In this way the city itself is a canvas as well as a bottomless trove of resources and materials. The city harmonizes beautifully with artists because almost any landscape, any tool, any surface, and (most importantly) any person can be found here. This is the second reason. Though I am reluctant to bring humanity down to the mathematical model we can apply to the physical world, it might help in this sense. In addition to every combination of artificial creations, New York City also houses nearly every permutation of the nature of individual human beings that has existed to this point and whose constant interaction perpetually produces new interests and new goals for the individual. Here we find all the billions of combinations of interests, levels of ambition, ethnicity, gender, will, identification, and pure brilliance. There are countless other factors into the emotional/physical/intellectual composition of a human being and most of them haven’t been placed together thus far. But people have a strong proclivity for detecting corresponding elements in others and it is this tendency which leads to the greatest work, expression, and fulfillment. It is what motivates us to know people and also to know about the world. This is why New York City is one of the greatest places to produce art today; because these things happen. Any person with an idea they want to see manifested, if they have enough will, can go to New York City and find nearly everything they need to make it happen and nearly all the people who will dig it enough to help.

Of course it’s important to stress the “nearly” because there is a third reason that people either like to hide or to forget. One way or another it tends to get obscured. Inspiration. New York has a lot of it, but only because the city attracts it. It is the most essential cause for any artistic environment that has ever developed. It cannot be quantified, predicted, or contrived. It can only be harnessed.

This week, Citywide featured Michael David Quattlebaum Jr. (aka Mykki Blanco). Mykki is a person who creates art taking full advantage of what I just said makes New York City a great place for artists. Mykki possesses the faculties to channel inspiration in a very pure way and then express it with fervor. In the interview, Mykki tells me about growing up knowing who he was and that he was different from others and not caring. He’s had the very unique opportunity for most of his life to be honest with his family and peers and therefore be honest with others in his artistic expression.

At this point I should be describing Mykki’s body of work, but,as he brings up in the interview, it’s not something you can define as a body because it takes extremely varied forms. In fact, I’m not even sure if I should be using male or female pronouns to refer to Mykki since he performs dressed either as a man or a woman. That’s sort of the idea though. I can’t think even of a reason to assign a title to Mykki’s gender, which for most people is a basic factor of identity. Similarly, you can’t say that Mykki is a writer, rapper, singer, visual artist, poet, stylist, or actor. He’s all of those and especially a performer.

Mykki became known after publishing a book of poetry under the name of Michael David Quattlebaum Jr. entitled From the Silence of Marcel Duchamp to the Noise of Boys. He also performs his/her poetry and raps under the name of Mykki Blanco. His work takes many more forms and is continuing to grow in the arenas of music and video.

This is what I mean about him taking advantage of New York City’s resources. It’s very hard to take part in so many different forms of expression, but the city facilitates it for those who are motivated. It’s inspiration that makes it possible though. Mykki is also lucky to be working a community of people who get it.

The interview has him talking about his development as in artist, entering the New York art world and observing it’s changes, and the experiences of producing art in New York. It’s really good!

This is a sample of Mykki’s rapping:

But you should also listen to the interview-

[audio https://files.nyu.edu/ltg219/public/Mykki%20Blanco.mp3]

Lucas Green

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[…] P-Orridge. Some of our guests have represented a change itself in being an original artist, like Mykki Blanco who was on last […]

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